A digital strategist with over 10 years of experience in media planning and consumer analytics, passionate about data-driven marketing.
‘Tis the time of year to relax on the sofa and devour a tin of holiday pastries in front of a terrific flick, a bad movie, or one that’s so bad it’s good.
Once again, a selection of latest seasonal stories aims to become part of our holiday traditions—potentially even joining the ranks alongside enduring classics like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
Thus, in a noble effort to distinguish the gems from the coal, and to embrace the Christmas spirit, I marathoned as many fresh Christmas films as possible in a single day.
Kicking off, hopefully, on a good foot. This is the exclusive 2025 movie on a famous website's list of the top 100 holiday films of all time.
The popular band find themselves trapped in the UK after concluding their world tour and must get home for Christmas. Their endeavors are thwarted by an villainous Saint Nick, who sings to announce they won’t get home until they “find their familial spark.”
The repartee between the squabbling siblings is entertaining even for the casual viewer, while fans will undoubtedly notice lots of easter eggs as they attempt to get back using any means of transport necessary.
It’s a journey of epic proportions.
It’s not an all-time classic, but is great for fans and a positive start to the day.
Holiday verdict: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their relatives who are obliged to sit through it.
A-list actor Kiefer Sutherland has been cast as a Hollywood star tricked into a pantomime.
“A what's a panto??” asks Sutherland’s “difficult” and aging lead Brad Mack, who has hit a rough patch and whose agent has deceived him into thinking he’s appearing in high-class London stage.
His Aladdin fellow actors let him know he’s playing Buttons. “Absolutely not,” he retorts. One can imagine their retort. Unless you’re not acquainted with traditional British theatre traditions.
There are some great jokes, some touching storylines, and the supporting actors is excellent, too.
It’s the sort of feature that would be a bit tacky at a different time, but is a lot of fun at Christmas.
Christmas tree rating: 🎄🎄🎄🎄
A familiar face shows up at the start of this film, too, calling someone a mug for the second film in a row. Could this be a new Christmas tradition?
This time, he’s a crooning chauffeur who picks up Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by The Big Bang Theory’s Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The classic narrative unfolds as the miserly Mr Sood is haunted by the apparitions of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This Indian Scrooge is at least different from all the others, but unfortunately he’s not very compelling and Nayyar’s portrayal is wooden—a problem when he’s so the focal point.
Festive score: 🎄🎄
There's just enough time for a network's Christmas comedy-drama—which stars Guz Khan as a charmingly cantankerous character who “isn't big on Christmas.”
But after he receives an large festive windfall at work, his wife (portrayed by Morgana Robinson) convinces him splurging the cash on a family trip to Lapland.
There’s just one snag—he learns there was an mistake with his bonus, which should have been £800, and he has to figure out how to return the excess.
Enjoyable but forgettable.
Christmas tree rating: 🎄🎄
This is one of those holiday movies where the tree, fairy lights and snow are in the background—Christmas is the setting of the film rather than its raison d’etre—but it feels comfortable and seasonal all the same.
Driven corporate star Sydney (played by Minka Kelly) is assigned to a country estate to do a deal for a champagne business. On the way, she meets a fellow in a book store who vows to show her Christmas in Paris.
A critic recently declared this is the best new Christmas film of the last several seasons. That’s a bit of a overstatement, but it is a Christmas romance with a touch of class and gives the necessary warm and fuzzy feels.
The scene with a extended debate about Die Hard is very good too.
Holiday verdict: 🎄🎄🎄
Young Chris, played by Lenny Rush, continues to believe in Father Christmas, regardless of the attempts of his dad (starring James Buckley) to tell him the truth.
The secret is somewhere, and Chris ventures forth to find it with the guidance of a team of well-known figures.
It’s gentle but endearing, and good viewing while anticipating Santa to visit.
Christmas tree rating: 🎄🎄🎄
Michelle Pfeiffer is the mother of a dysfunctional American family who gather for the holidays—including fellow acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer opens by name-dropping classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the real champions of the holidays—moms.”
So that’s what this is, but in practice it’s really a jumble of those inspirations, at least until Pfeiffer’s character eventually comes into her own.
Holiday verdict: 🎄🎄
The day’s waned in quality, but fortunately here’s a new entry in the saturated market of cliched, saccharine, over-the-top—and highly entertaining—holiday fare.
It’s a narrative as well-worn: An American woman goes on a quest to a far-off wintery locale and ends up finding romance.
In this case, Caprice Bourret plays a publisher
A digital strategist with over 10 years of experience in media planning and consumer analytics, passionate about data-driven marketing.